Lucius, the Independent, December 31, 2017
I'm not the concertgoer I used to be, and often, I don't even see the bands that I've enjoyed on other occasions. For example, Lucius was fantastic at Solid Sound, but when they came around on tour, I didn't bite. Honestly, I might have opted out on the worst socializing night of the year if Paul weren't in town. Fortunately, he's never led me astray, and it turned out to be a fantastic evening.Anyone who reads this blog knows I lean toward the earnest and acoustic, but one can't subsist on folk music alone. Even I need to mix it up now and again, and it's a bonus when musicians can blend solid foundational skills with a wink, a nod, and a beat you can dance to. You may first notice Lucius' glam looks with the blond wigs, dramatic makeup, and coordinated outfits. But give them a listen, and you can't deny that their voices are golden, especially in unison.
To that end, they took a different angle with each show of the New Year's triptych, with one all-acoustic night, one electric night, and one surprise night. I'm sure invested fans already knew the plan, but I didn't -- and was delighted to learn New Year's Eve would include lots of cover versions.
The band started the night with its own tunes, but as a uninformed casual observer, I can't tell you what they were. Paul told me one was "Dusty Trails," but I don't know if that was the a cappella track they performed from the middle of the dance floor, under the mirror ball, followed by the New Year's Eve countdown. In any case, they sounded amazing and made me think of how cool it must be to sound that good on your own, without any tricks or effects. What a gift!
The second half of the show was devoted to covers as suggested by fans on the internet (Twitter? Facebook? Instagram?). They started with "1999," and let me tell you, the song still works in 2017 going into 2018. It was all hits from there on out -- no obscure tracks from experimental 1970s albums by one-shot supergroups. Nope, we got all the fun songs from Stevie Nicks, the B-52s, Lips Inc., and more, with not even a whiff of, say, "Despacito."
As a Gen X-er, I was surprised by the song selection, perhaps moreso regarding the audience. You'd expect Lucius as musicians to know a wide range of artists and eras, but if these tunes were indeed suggested by the audience, you had to wonder if they were drawing from their parents' or babysitters' record collections. Yes, I know, music has no bounds now, thanks to the internet and pop culture in general, and I'm not complaining about hearing "Edge of Seventeen." Anyway, thanks millennials! It was the most unadulterated fun I've had at a concert in a while.
Sisters of Perpetual Indulgence opened, and it was my first time seeing them, despite living in San Francisco this long and even working with perhaps a junior member of the troupe! They were the perfect choice, and I could see how they helped set the foundation for gay rights and expression in the city, even if their skits spoke more of a past era. When they rejoined Lucius at the end of the show for the cover medley, you could certainly sense that their influence had indeed spread to artistic and curious young men and women all over the country.
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» the boys are back in town
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